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相关介绍
1、问：《欧洲的某个地方》什么时候上映时间？
答：这部影片的上映时间是1948年,更新时间2024-04-17 14:57:11
2、问：《欧洲的某个地方》其它在哪个电视台播出？
答：《欧洲的某个地方》目前只有网上如、爱奇艺、腾讯、优酷、 多鱼网等播出、没有在电视台播。
3、问：《欧洲的某个地方》演员表
答：《欧洲的某个地方》是由Radványi,Géza 执导，Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki 领衔主演的剧情片 剧情 其它 。该剧于2024-04-17在腾讯、爱奇艺、多鱼网、优酷、等平台同步播出。
4、问：哪个平台可以免费看《欧洲的某个地方》全集
答：免vip在线观看地址:www.babayu.org/vod/218273.html
5、问：手机版免费在线点播《欧洲的某个地方》有哪些网站？那些平台搜索？
答：hao123影视、百度视频、多鱼网；请到百度 搜狗 360 神马 头条搜索。
6、问：《欧洲的某个地方》评价怎么样？
Mtime时光网友：剧情紧凑有趣，不同于其他影片作品，有励志|灾难|冒险|犯罪|生活等故事情节精简不会啰里啰嗦拖泥带水，观众在电影中体验到了无尽的紧张和刺激。他们的演绎让我对每个角色都充满了期待和共鸣。影片中的角色性格鲜明，每个人物都有自己的故事和动机，令人着迷，值得一看。
丢豆网网友：这部影片是一本栩栩如生的电影，创作灵感之高。影片中绘声绘色的基础上有欢笑，有泪水，有快乐，也有悲伤..具备长辈苦口婆心语重心长的教诲(为遵重在这里我省略掉啰嗦这词)。电影励志、冒险、灾难、言情、生活种种往往是融入进去，在不知不觉中去了解这些似乎不容易被我们所发现理解的道理、以其设身处地都会是现实中教导的教诲！
豆瓣电影网友：这部电影评分:0.0佳作欧洲的某个地方其它是1948年其它上映的剧情片,这部剧深受观众喜爱，并在播出后获得了极高的好评和口碑,影片中的角色形象塑造鲜明，故事情节紧凑不会阿弥陀佛啰嗦不断！剧情发展合理。更微妙的是在导演Radványi,Géza的指导下,Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki每一个演员的出色表演将剧中的角色形象栩栩如生地呈现在观众面前。无论是剧情、演员的表演还是剧中歌曲，都是该电影的亮点好看所在的美妙。
剧情介绍：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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